Salve Devs Rex Ivdaeorum. Containing, 1 The Passion of Christ.
2
Eues
Apologie in defence of Women. 3 The Teares of the Daughters
of Ierusalem. 4 The Salutation and Sorrow of the Virgine Marie.
With diuers other
things not vnfit to be read Written by Mistris Aemilia Lanyer,
Wife to Captaine Alfonso
Lanyer Seruant to the Kings Majestie. [First printing, with
four-line publisher's imprint:
"AT LONDON / Printed by Valentine Simmes for Richard
Bonian, and / are
to be sold at his Shop in Paules Church- / yard. Anno 1611."]
Salve Devs . . . Written by Mistris Aemilia Lanyer . . . . [Second
printing, with five-line imprint: "AT LONDON / Printed by Valentine
Simmes
for Richard Bonian, and are / to be sold at his Shop in Paules
Churchyard, at the / Signe of
the Floure de Luce and / Crowne. 1611."] [Short version of dedications:
STC 15277; long
version
of dedications, STC 15277.5]
Isabella Whitney, Mary Sidney, and Aemilia Lanyer: Renaissance
Women
Poets. Ed. Danielle Clarke. Harmondsworth: Penguin, 2000. [original
spelling] The Poems of Shakespeare's Dark Lady: Salve Deus Rex
Judaeorum by
Emilia Lanier. Ed A. L. Rowse. London: Cape, 1976; New York:
Clarkson
N. Potter, 1978. [original spelling] The Poems of Aemilia Lanyer:
Salve Deus Rex Judaeorum. Ed.
Susanne
Woods. New York: Oxford UP, 1993. [original spelling]
Renaissance Women: The Plays of Elizabeth Cary, The Poems of
Aemilia
Lanyer. Ed. Diane Purkiss. London: William Pickering, 1994.
[modernized
spelling]
Salve Devs . . . Written by Mistris Aemilia Lanyer . . . . The
Early
Modern Englishwoman,1500-1700: A Facsimile Library of Essential
Works.
Vol. 10: The Poets, I: Isabella Whitney, Anne Dowriche, Aemilia
Lanyer, Rachel
Speght and Diana Primrose. Ed Suzanne Woods, Betty S. Travitsky,
and Patrick
Cullen.
Burlington, VT: Ashgate P, 2002. [facsimile]
A Book of Women Poets from Antiquity to Now. Ed. Aliki
Barnstone
and Willis Barnstone. New York: Schocken Books, 1992.
The Broadview Anthology of Seventeenth-Century Verse &
Prose.
Ed. Alan Rudrum, et al. Ontario: Broadview P, 2000.
The Country House Poem: A Cabinet of Seventeenth-Century
Estate
Poems
and Related Items. Ed. Alastair Fowler. Edinburgh:
Edinburgh
UP. [modernized spelling version of "The Description of Cooke-ham"]
Early Modern Women Poets (1520-1700): An Anthology. Ed.
Jane
Stevenson and Peter Davidson, with Meg Bateman, Kate Chedgzoy, and
Julie Saunders.
Oxford: Oxford UP, 2001. ["Eves Apology" from the "Salve Deus" and "The
Description of
Cooke-ham"]
English Women's Poetry. Ed. R. E. Pritchard. Manchester:
Carcanet
Press, 1990. ["The Description of Cooke-ham"]
English Women's Voices, 1540-1700. Ed. Charlotte F. Otten.
Miami:
Florida International UP,1992. [brief mention of Lanyer]
The Female Spectator: English Women Writers Before 1800.
Ed.
Mary R. Mahl and Helene Koon. Bloomington: Indiana UP; Old Westbury,
NY:
Feminist P, 1977. [modernized spelling versions of "The Author's Dream
to the Lady Mary";
selection from "The Passion of Christ" from the "Salve Deus"]
Kissing the Rod: An Anthology of Seventeenth-Century Women's
Verse.
Ed. Germaine Greer, Susan Hastings, Jeslyn Medoff, and Melinda
Sansone. London: Virago, 1985. ["The Description of Cooke-ham"]
The New Oxford Book of Seventeenth-Century Verse. Ed.
Alastair
Fowler. Oxford: Oxford UP, 1991. [modernized spelling versions of "To
the
Lady Arabella"; excerpt from "To the Lady Anne"; "Eves Apologie" from
the "Salve Deus"]
The Norton Anthology of English Literature. Vol. 1. 6th
ed.
Ed.
M. H. Abrams et al. New York: Norton, 1993. [modernized spelling
versions
of "Eves Apologie" from the "Salve Deus"; "The Description of
Cooke-ham"]
The Norton Anthology of Literature by Women: The Tradition in
English.
Ed. Sandra M. Gilbert and Susan Gubar. New York: Norton, 1985.
[modernized spelling versions of "Eve's Apology" from the "Salve Deus"]
The Paradise of Women: Writings by Englishwomen of the
Renaissance.
Ed. Betty Travitsky. Westport, CN: Greenwood P. 1981. ["Salve
Deus" ll. 1-175, 760-840, 985-1135, 1185-1272, 1825-1840]
The Penguin Book of Renaissance Verse, 1509-1659. Ed.
David
Norbrook
and H. R.Woudhuysen. 1992. ["The Description of Cooke-ham"
and excerpt from "Salve Deus"]
Poetry by English Women: Elizabethan to Victorian. Ed. R.
E.
Pritchard. Manchester: Carcanet, 1990; New York: Continuum, 1993. ["The
Description of Cooke-ham"]
Renaissance Literature: An Anthology. Ed. Michael Payne
and
John
Hunter. Oxford: Blackwell, 2003. ["The Description of Cooke-ham"]
Renaissance Women: Constructions of Femininity in England.
Ed.
Kate Aughterson. London: Routledge, 1995.
Seventeenth-Century English Poetry: The Annotated Anthology.
Ed. Terence Dawson and Robert Scott Dupree. New York: Harvester
Wheatsheaf,
1994. [modernized spelling version of "The Description of Cookham"]
Women Poets of the Renaissance. Ed. Marion Wynne-Davies.
London
: J.M. Dent, 1998. [modernized spelling versions of "To the Queenes
Most Excellent Majestie," "To All Vertuous Ladies in Generall," "To the
Ladie Susan," "The
Authors Dream to the Ladie Marie," "To the Ladie Anne," "Salve
Deus" lines 1-272, 745-1136,
1289-end, and "Cooke-ham"]
Women Writers in Renaissance England. Ed. Randall Martin.
London:
Longman, 1997. [modernized spelling versions of "To the Virtuous
Reader" and a substantial portion of the "Salve Deus"]
Entries on Lanyer in Reference Works and Anthologies
A Biographical Dictionary of English Women Writers 1580-1720.
Ed.
Maureen Bell, George Parfitt, and Simon Shepherd. New York: Harvester
Wheatsheaf, 1990.
The Bloomsbury Guide to English Literature. 2nd ed. Ed.
Marion
Wynne-Davies. London: Bloomsbury, 1995.
British Women Writers: A Critical Reference Guide. Ed.
Janet
Todd. New York: Continuum, 1989.
The Cambridge Guide to Women's Writing in English. Lorna
Sage,
with Germaine Greer and Elaine Showalter. Cambridge: Cambridge Univ.
Press,
1999.
A Companion to Early Modern Women's Writing. Ed. Anita
Pacheco.
Oxford: Blackwell, 2002.
Dictionary of British Women Writers. Ed. Janet Todd.
London
Routledge,
1979.
Dictionary of Literary Biography. Vol 121: Seventeenth-Century
British
Nondramatic Poets. 1st series. Ed. M. Thomas Hester.
Detroit, MI: Bruccoli Clark Layman, 1992.
Dictionary of National Biography: Missing Persons. Ed. C.
S.
Nicholls. Oxford: Oxford UP, 1993.
English Women's Voices 1540-1700. Ed. Charlotte F. Otten.
Miami:
Florida International UP, 1992.
The Feminist Companion to Literature in English: Women Writers
from
the Middle Ages to the Present. Ed. Virginia Blain, Patricia
Clement, and Isobel Grundy. New Haven, CT: Yale UP, 1990.
Index of Dedications and Commendatory Verses in English Books
Before
1641. Franklin B. Williams. London: Bibliographical Society, 1962.
Kissing the Rod: An Anthology of Seventeenth-Century Women's
Verse.
Ed. Germaine Greer, Susan Hastings, Jeslyn Medoff, and Melinda
Sansone. London: Virago, 1985.
The Literary Encyclopedia.
"Aemilia
Lanyer." Susanne Woods. 28 April 2004. The Literary Dictionary
Company.
The Oxford Guide to British Women Writers. Ed. Joanne
Shattock.
Oxford: Oxford UP, 1993.
Articles and Books Addressing Lanyer's Life and Work
Balla, Angela. Immaterial
Evidence:
Piety and Proof in Early Modern England (Aemilia
Lanyer, John Donne,
George Herbert, John Milton).
Diss. U Michigan, 2003. Ann Arbor: UMI, 2004. AAI3106011.
aballa@umich.edu
Ballaster, Ros. "Restoring the Renaissance: Margaret Cavendish
and
Katherine
Philips." Renaissance Configurations: Voices/Bodies/Spaces,
1580-1690.
Ed. Gordon McMullan. New York: St. Martin's Press, 1998. 234-52. (brief
mention)
Barnstone, Aliki. "Women and the Garden: Andrew Marvell, Emilia
Lanier,
and Emily Dickinson." Women and Literature 2 (1982):
147-67.
Beilin, Elaine V. Redeeming Eve: Women Writers of the English
Renaissance.
Princeton, NJ: Princeton UP, 1987.
Bennett, Evelyn Nora. Women
Writing
of Divinest Things: Rhetoric and the Early Modern Poet.Diss.
Dalhousie U, 2002. Ann Arbor: UMI, 2002. DANQ75717.
---. [under Bennett, Lyn.]
Women Writing of Divinest Things: Rhetoric
and the Poetry of Pembroke, Wroth and Lanyer. Pittsburgh, PA:
Duquesne
UP, 2004.
Benson, Pamela Joseph. "The
Stigma of Italy Undone: Aemilia Lanyer's
Canonization of Mary Sidney." Strong
Voices,
Weak History: Early Women Writers and Canons in England, France, and
Italy. Ed. Pamela Joseph Benson and Victoria Kirkham. Ann
Arbor, MI: U of Michigan P, 2005. 146-75.
---."To Play the Man: Aemilia Lanyer and the
Acquisition
of Patronage." Opening the Borders: Inclusivity in Early Modern
Studies; Essays in Honor of James V. Mirollo. Ed. Peter C.
Herman. Newark: U of
Delaware P, 1999. 243-64.
Berry, Boyd. "'Pardon . . . though I have digrest': Digression as
Style
in Salve Deus Rex Judaeorum." Aemilia Lanyer: Gender,
Genre,
and the Canon. Ed. Marshall Grossman. 212-33.
Bevington, David. "A. L. Rowse's Dark Lady." Aemilia Lanyer:
Gender,
Genre, and the Canon. Ed. Marshall Grossman. 10-28.
Bowen, Barbara. "Aemilia Lanyer and the Invention of White
Womanhood." Maids and Mistresses, Cousins and Queens.
Ed. Susan
Frye and Karen Robertson. New York: Oxford UP, 1999. 274-303.
Performance.
Ed. Lloyd Davis. Neward, DE: U
of Delaware P, 2003. 209-21.
Calderón López,
Maria Isabel. "'Cooke-Ham': El
Apartado
Paraíso Lírico de Aemilia Lanyer." Exilos Femeninos.
Ed Pilar Cuder
Domínguez.
Huelva, Spain: Instituto Andaluz de la Mujer, 2000. 305-14.
Campbell, Gardner. "The Figure of Pilate's Wife in Aemilia
Lanyer's Salve
Deus Rex Judaeorum." Renaissance Papers 1995:
1-13.
Clarke, Danielle. The Politics of Early Modern Women's Writing.
Edinburgh: Pearson, 2001.
Coiro, Ann Baynes. "Writing in Service: Sexual Politics and Class
Position
in the Poetry of Aemilia Lanyer." Criticism 35 (1993):
357-76.
Comilang, Susan Carol. English Noblewomen and the
Organization
of
Space: Gardens, Mourning Posts, and Religious Recesses.
Diss.
George Washington U, 2002. Ann Arbor: UMI, 2002. DA3032741
Cook, Patrick. "Aemilia Lanyer's 'Description of Cooke-ham' as
Devotional
Lyric." Discovering and Recovering the
Seventeenth-Century Religious
Lyric. Ed. Eugene Cunnar and Jeffrey Johnson. Pittsburgh: Duquesne
UP, 2001. 104-18.
Cornell, Christine Anne. Unparadised Women: Royal Mistresses
in
Early
Modern English Literature. Diss. Dalhousie U, 1994. Ann
Arbor: UMI, 1996. DANN98826.
David, Alfred. Teaching wih The Norton Anthology of English
Literature:
A Guide for Instructors. New York: Norton, 1993.
De Lafontaine, H. C., ed. The King's Musick: A Transcript of
Records
Relating to Music and Musicians (1460-1700). London:
Novello,
1909. Reprint New York: Da Capo P, 1973.
DiPasquale, Theresa M. "Woman's Desire for Man in Lanyer's Salve
Deus Rex Judaeorum." Journal of English and Germanic Philology
99 (2000): 356-78. dipasqtm@whitman.edu
Duerden, Richard Y. "Crossings: Class, Gender, Chiasmus, and the
Cross
in Aemilia Lanyer's Salve Deus Rex Judaeorum." The
Tradition
of Metaphysical Poetry and Belief. Ed. Richard Y. Duerden and
William Shullenberger. Literature
and Belief 19 (1999): 131-52. ryd@email.byu.edu
Evans, Robert C., and Anne C. Little, eds. "The Muses females
are":
Martha Moulsworth and Other Women Writers of the English
Renaissance.
West Cornwall, CT: Locust Hill P, 1995.
Ezell, Margaret J. M. Writing Women's Literary History.
Baltimore:
The Johns Hopkins UP, 1993.
Farmer (Penne), Amy Lynn. The Rhetoric of Distance: Symbolic
Capital
and Women's Textual Practices in Seventeenth Century England.
Diss. U of Illinois, Urbana, 2000. Ann Arbor,: UMI, 2000. 989989.
Findlay, Alison. A Feminist Perspective on Renaissance Drama.
Oxford: Blackwell, 1999. [brief analysis 21-23]
Flowers, Theresa. Bound By
Words:
Representations of Subjectivity in the Renaissance Poetry of Aemilia Lanyer.
Undergrad. Thesis Univ. of Derby. teresa@flowers171.ndo.co.uk
Frazer, Antonia. The Weaker Vessel. New York: Alfred A
Knopf,
1984. Rpt. New York: Random House, 1985.
Goldberg, Jonathan. "Canonizing Aemilia Lanyer." Desiring
Women
Writing:
English Renaissance Examples. Stanford: Stanford
UP, 1997. 16-41.
Grossman, Marshall. "The Gendering of Genre: Literary History and
the
Canon." Aemilia Lanyer: Gender,Genre, and the Canon.
Ed.
Marshall Grossman. 128-42.
Guibbory, Achsah. "The Gospel According to Aemilia: Women and the
Sacred
in Aemilia Lanyer's Salve Deus Rex Judaeorum." Sacred
and Profane: Secular and Devotional Interplay in Early Modern
British Literature.
Ed. Helen Wilcox, Richard Todd, and Alasdair MacDonald. Amsterdam:
Vrije Universiteit
UP, 1996. 105-26. Rev. and rpt. in Aemilia Lanyer:Gender,
Genre, and the
Canon. Ed. Marshall Grossman. 191-211.'
Hageman, Elizabeth H. "Women's Poetry in Early Modern England." Women
and Literature. Ed. Helen Wilcox. 190-208.'Hammond, Pamela S. Poetic
Resistance: English Women Writers and the Early Modern Lyric.
Aldershot: Ashgate, 2002. [brief mention of Lanyer's
work]
Hammons, Pamela S. "The Gendered Imagination of Property in
Sixteenth- and Seventeenth-Century English Women's Verse." CLIO 34.4 (Summer 2005): 395-418.
Hannay, Margaret Patterson. Silent But For the Word: Tudor
Women
as Patrons, Translators, and Writers of Religious Works.
Kent, OH: Kent State UP, 1985.
Harp, Gerald Scott. Sense
Metaphors of Cognition in Early Modern Texts. Diss. U of Iowa,
2002. Ann Arbor: UMI, 2002. DA3050805.
Herz,
Judith Scherer. "Aemilia Lanyer and the Pathos of Literary
History." Representing Women in Renaissance England. Ed.
Claude
J. Summers and Ted-Larry Pebworth. Columbia: University of Missouri
Press, 1997.
121-35. jherz@vax2.concordia.ca
Hodgson, Elizabeth
M. A. "Prophecy and Gendered Mourning in
Lanyer's Salve
Deus Rex Judaeorum." Studies in English
Literature
1500-1900 43 (2003): 101-16.
Holmes, Michael Morgan. Early Modern Metaphysical Literature:
Nature,
Custom and Strange Desires. New York: Palgrave, 2001.
---. "The Love of Other Women: Rich Chains and Sweet Kisses." Aemilia
Lanyer: Gender, Genre, and the Canon. Ed. Marshall Grossman.
167-90.
Hull, Suzanne W. Chaste, Silent and Obedient: English Books
for
Women,
1475-1640. San Marino: Hunting Library, 1982.
Hutson, Lorna. "Why the Lady's Eyes Are Nothing Like the Sun." New
Feminist Discourses: Critical Essays on Theories and Texts.
Ed.
Isobel Armstrong. London: Routledge, 1992. 154-75. Also in Women,
Texts & Histories,
1575-1760. Ed. Clare Brant and Diane Purkiss. London: Routledge,
1992. 13-38.
Jenkins, Hugh. "Petitions for Absolute Retreat: Genre and Gender
in
the Country-House Poems of Aemilia Lanyer and Anne Finch." Feigned
Commonwealths:
The Country-House Poem and the Fashioning of the Ideal Community.
Pittsburgh: Duquesne Univ. Press, 1998.
Jones, Ann Rosalind. "Assimilation With a Difference: Renaissance
Women
Poets and Literary Influence." Yale French Studies 62 (1981):
135-53.
---. The Currency of Eros: Women's Love Lyric 1520-1640.
Bloomington:
Indiana UP, 1991.
Katz, David S. The Jews in the History of England, 1485-1850.
Oxford: Clarendon P, 1994.
Kennedy, Gwynne. Just Anger: Representing Women's Anger in
Early
Modern England.Carbondale: Southern Illinois Univ. Press,
2000. [brief discussion]
Keohane, Catherine. "'That Blindest Weakenesse Be Not Over-Bold':
Aemilia
Lanyer's Radical Unfolding of the Passion." ELH 64
(1997): 359-89.
Krontiris, Tina. "Women of the Jacobean Court Defending Their
Sex." Oppositional
Voices: Women as Writers and Translators of Literature
in the English Renaissance. London: Routledge, 1992. 102-20.
Lamb, Mary Ellen. "Patronage and Class in Aemilia Lanyer's Salve
Deus Rex Judaeorum." Women, Writing, and the Reproduction of
Culture
in Tudor and Stuart Britain. Ed. Mary E. Burke, Jane Donawerth,
Linda L. Dove, and
Karen Nelson. Syracuse: Syracuse UP, 1999. 38-57.
Lasocki, David. "Professional Recorder Playing in England,
1540-1740." Early
Music 10 (1982): 23-29.
---. "The Anglo-Venetian Bassano Family as Instrument Makers and
Repairers." Galpin
Society Journal 38 (1985): 112-32.
---. The Bassanos: Anglo-Venetian and Venetian." Early Music
14 (1986): 558-60.
---, and Roger Prior. The Bassanos: Venetian Musicians and
Instrument
Makersin England, 1531-1665. Aldershot, England:
Scolar Press;
Brookfield, VT: Ashgate, 1995.
Lee, Jin-Ah. "Aemilia Lanyer's Salve Deus Rex Judaeorum:
Feminized
Jesus and Renaissance Woman's Writing." Journal of English Language
and Literature 45 (1999): 11-34. [Abstract in English; article in
Korean]
Lewalski, Barbara Kiefer. "Of God and Good Women: The Poems of
Aemilia
Lanyer." Silent But For the Word: Tudor Women as Patrons,
Translators,
and Writers of Religious Works. Ed. Margaret Patterson
---. "The Lady of the Country House Poem." The Fashioning and
Functioning
of the British Country House. Ed. Gervase Jackson-Stops,
Gordon J. Schochet, Lena Cowen Orlin, and Elisabeth Blair McDougall.
Hanover: National Gallery
of Art, 1989. 261-75.
---. "Old Renaissance Canons, New Women's Texts: Some Jacobean
Examples." Proceedings of the American Philosophical Society
138
(1994): 397-406.
---. "Rewriting Patriarchy and Patronage: Margaret Clifford, Anne
Clifford,
and Aemilia Lanyer." The Yearbook of English Studies 21 (1991):
87-106.---. "Seizing Discourses and Reinventing Genres." AemiliaLanyer: Gender,Genre and the Canon. Ed.
Marshall Grossman. 49-59.
---. Writing Women in Jacobean England. Cambridge, MA:
Cambridge
UP, 1993.
Longfellow, Erica. "Ecce Homo: The Spectacle of Christ's Passion
in Salve Deus Rex Judaeorum."
Women and
Religious Writing in Early Modern England. Cambridge: Cambridge
UP, 2004. 59-91. e.longfellow@kingston.ac.uk
Loughlin, Marie H. "'Fast ti'd unto them in a golden Chaine':
Typology,
Apocalypse, and Women'st Genealogy in Aemilia Lanyer's Salve Deus
Rex
Judaeorum." Renaissance Quarterly 53 (2000): 133-79.<>
Marder, Louis. "The Dark Lady: Demise of a Theory." Shakespeare
Newsletter
23 (1973): 24.
Matchinske, Megan. "Credible Consorts: What Happens When
Shakespeare's
Sisters Enter the Syllabus?" Shakespeare Quarterly 47 (1996):
433-50.
Matheson, Sue. "Religious Reconstruction of Feminine
Spirituality:
Reading Past the Praise in Salve
Deus Rex
Judaeorum." Things of the
Spirit: Women Writers Conducting Spirituality. Notre Dame, IN: U
of Notre Dame P, 2004. 51-68.
McBride, Kari Boyd. Country House Discourse in Early Modern
England:
A Cultural Study of Landscape and Legitimacy. Aldershot:
Ashgate
P, 2001.
---. Engendering Authority in Aemilia Lanyer's Salve Deus Rex
Judaeorum.
Diss. U Arizona, 1994. Ann Arbor: UMI, 1994. 9426325.
---. "Gender and Judaism in Meditations on the Passion:
Middleton,
Southwell,
Lanyer, and Fletcher." Discovering and Recovering the
Seventeenth-Century
Religious Lyric. Ed. Eugene Cunnar and Jeffrey Johnson. Pittsburgh:
Duquesne
UP, 2001. 17-40.
---. "Remembering Orpheus in the Poems of Aemilia Lanyer." Studies
in English Literature 1500-1900. 38 (1998): 87-108.
---. "Sacred Celebration: The Patronage Poems." Aemilia
Lanyer:
Gender,Genre,
and the Canon. Ed. Marshall Grossman. 60-82.
---, and John C. Ulreich. "Answerable Styles: Biblical Poetics
and
Biblical
Politics in the Poems of Aemilia Lanyer and John Milton." Journal
of
English
and Germanic Philology 100 (2001): 333-54.
---, and John C. Ulreich. "'Eves Apologie': Agrippa, Lanyer, and
Milton." "All
in All": Unity, Diversity, and the Miltonic Perspective.
Ed. Charles W. Durham and Kristin A. Pruitt. Selinsgrove: Susquahanna
UP, 1999. 100-11.
McGrath, Lynette. "'Let Us Have Our Libertie Againe': Amelia
Lanier's
17th-Century Feminist Voice." Women's Studies 20 (1992): 331-48.
---. "Metaphoric Subversions: Feasts and Mirrors in Amelia
Lanier's Salve
Deus Rex Judaeorum." LIT 3 (1991): 101-13.
---. Subjectivity and Women's Poetry in Early Modern England.
Burlington, VT: Ashgate, 2002.
Miller, Noami J. "(M)other Tongues: Maternity and Subjectivity." Aemilia
Lanyer: Gender, Genre, and the Canon. Ed. Marshall Grossman.
143-66. nmiller@ccit.arizona.edu
---. "Ruling Women in Jacobean England." Form and Reform in
Renaissance
England: Essays in Honor of Barbara Kiefer Lewalski.
Newark: Associated UP, 2000. 247-67.
Miller, Shannon. "'Mirrours More then One: Edmund Spenser and
Female
Authority in the Seventeenth Century." Worldmaking Spenser:
Explorations
in the Early Modern Age. Lexington: UP of Kentucky, 2000.
125-47.
Moon, Hi Kyung. "Gender, Class and Patronage: Aemilia Lanyer's
Country-House
Poem, 'The Description of Cooke-ham.'" Feminist
Studies
in English Literature 9 (2002): 95-118.
Morin-Parsons, Kel. "Loose My Speche": Anne Locke's Sonnets
and
the
Matrilineal Protestant Poetic. Diss. U of Ottawa,
2001. Ann Arbor: UMI, 2002. DANQ66176.
Morton, Lynn Moorhead. "Vertue Cladde in Constant Love's
Attire"
: The Countess of Pembroke as a Model for Renaissance Women
Writers.
Dissertation. University of South Carolina. 1993.
Mueller, Janel. "The Feminist Poetics of Aemilia Lanyer's 'Salve
Deus
Rex Judaeorum.'" Feminist Measures: Soundings in Poetry and Theory.
Ed. Lynn Keller and Christianne Miller. Ann Arbor: U of Michigan P,
1993. 208-36.
Rev. and rpt. in Aemilia Lanyer: Gender Genre, and the Canon.
Ed. Marshall Grossman.
234-54.
Nelson, Karen L. "Annotated Bibliography: Texts and Criticism of
Aemilia
Bassano Lanyer." Aemilia Lanyer: Gender, Genre, and the Canon.
Ed. Marshall Grossman. 234-54.
Ng, Su Fang. "Aemilia Lanyer and the Politics of Praise." ELH
67 (2000): 433-51.
Ongaro, Giulio M. "New Documents on the Bassano Family." Early
Music
20 (1992): 409-13.
---. "Sixteenth-Century Venetian Wind Instrument Makers and Their
Clients." Early
Music 13 (1985): 391-97.
Otten, Charlotte F. English Women's Voices 1540-1700.
Miami:
Florida International UP, 1992. [brief mention of Lanyer]
Parfitt, George. "Poetry By Women." English Poetry of the
Seventeenth-Century.
2nd ed. London: Longman, 1992.
Parker, Patricia. What's in a Name: And More." Sederi XI:
Revista
de la Sociedad Española de Estudios Renacentistas Ingleses.
Ed. Pilar
Cuder Domínguez, Zenón Luis Martínez, Sonia
Villegas López, Jorge Casanova García,
Beatriz Domínguez García, and Auxiliadora Pérez
Vides. Huelva: Universidad de Huelva, 2002. 101-49. [brief
discussion of Lanyer's Italian lineage]
Pearson, Jacqueline. "Women Writers and Women Readers: the Case
of
Aemilia
Lanier." Voicing Women: Gender and Sexuality in Early Modern
Writing.
Ed. Kate Chegdzoy, Suzanne Trill and Melanie Hansen. Keele, UK: Keele
UP, 1996.
45-54.
Phillippy, Patricia. "The Sisters of Magdalen: Women's Mourning
and
the Aesthetics of Embalming in Aemilia Lanyer's Salve Deus Rex
Judaeorum." English
Literary Renaissance 31 (2001): 78-106.
Powell, Brenda J. "'Witnesse thy wife (o Pilate) speakes for
all':
Aemilia
Lanyer's Strategic Self-Positioning." Christianity and Literature
46 (1996): 5-23.
Prior, Roger. "Æmilia Lanyer
and Queen
Elizabeth at Cookham." Cahiers
Elisabéthains: Late Medieval and Renaissance Studies 63 (2003): 17-32.
---."Jewish Musicians at the
Tudor Court." Musical
Quarterly
69 (1983): 253-65.
---. "More (Moor? Moro?): Light on the Dark Lady." Financial
Times
(London) 10 Oct 1987: 17.
---. "Second Jewish Community in Tudor London." Jewish
Historical
Studies 31 (1988-90): 137-52.
---. "The Passion of a Female Literary Tradition: Aemilia
Lanyer's Salve Deus Rex Judaeorum."
Huntington
Library Quarterly 63 (2000): 435-46.
---. "Was Emilia Lanier the Dark Lady?" Shakespeare Newsletter
25 (1975): 26.
Purkiss, Diane. "Introduction." Renaissance Women: The Plays
of
Elizabeth
Cary, The Poemsof Aemilia Lanyer. London:
William
Pickering, 1994. vii-xlvii.
Ramsey, Paul. "Darkness Lightened: A. L. Rowse's Dark Lady Once
More." The
Upstart Crow 5 (1984): 143-45.
---. The Fickle Glass: A Study of Shakespeare's Sonnets.
New
York: AMS P, 1979.
Reed, Nancy Ellen Elizabeth. "Reclaiming the Garden: The Poetry
of a
Christian Feminist." Master's Thesis. 1992.
Rienstra, Debra. "Dreaming Authorship: Aemilia Lanyer and the
Countess
of Pembroke." Discovering and Recovering the
Seventeenth-Century
Religious Lyric. Ed. Eugene Cunnar and Jeffrey Johnson. Pittsburgh:
Duquesne
UP, 2001. 80-103.
Richey, Esther Gilman. "Subverting Paul: The True Church and the Querelle
des Femmes in Aemilia Lanyer." The Politics of Revelation in
the English Renaissance. Columbia: U of Missouri P, 1998. 60-83.
---. "'To Undoe the Booke': Cornelius Agrippa, Aemilia Lanyer and
the
Subversion of Pauline Authority." English Literary Renaissance
27 (1997): 106-28.
Roberts, Josephine A. "Diabolic Dreamscape in Lanyer and Milton."
Teaching
Tudor and Stuart Women Writers. Ed. Susanne Woods and
Margaret
Patterson Hannay. New York: Modern Language Association, 2000. 299-302.
---. "'My Inward House': Women's Autobiographical Poetry in the
Early
Seventeenth Century." "The Muses females are." Ed. Robert C.
Evans
and Anne C. Little.129-37.
---. "'Thou maist have thy Will': The Sonnets of Shakespeare and
his
Step-Sisters." Shakespeare Quarterly 47 (1996): 407-23.
Rogers, John. "The Passion of a Female Literary Tradition:
Aemelia
Lanyer's
Salve Deus Rex Judaeorum." Huntington Library Quarterly 63
(2000): 435-46.
Roberts, Wendy Miller. "Gnosis in Aemilia Lanyer's Salve Deus Rex Judaeorum." Rocky Mountain Review of Language and
Literature 59.2 (Fall 2005): 11-28.
Rowse, A. L. Annotated Shakespeare. 2 vols. New York: C.
N.
Potter,
1978.
---. Prefaces to Shakespeare's Plays. London: Orbis, 1984.
---. "Revealed At Last, Shakespeare's Dark Lady." The Times
29
Jan 1973: 12. [See also ensuing correspondence 1 Feb: 17; 2 Feb: 15;
3 Feb: 15; 6 Feb: 15; 14 Feb: 15; 15 Feb: 19; 17 Feb: 15; 20 Feb: 15;
22 Feb: 17.]
---. "Shakespeare and the Musicians from Venice." Contemporary
Review
268 (1996): 33-37.
---. "Shakespeare's Dark Lady." The Poems of Shakespeare's
Dark
Lady:
Salve Deus Rex Judaeorum by Emilia Lanier. Ed. A. L. Rowse.
London: Clarkson N. Potter, 1979.
---, ed. Shakespeare's Sonnets: The Problems Solved. 2d
ed.
New
York: Harper & Row, 1973.
---. Shakespeare the Man. New York: Harper & Row,
1973.
---. Simon Forman: Sex and Society in Shakespeare's Age.
London:
Weidenfeld and Nicolson, 1974. Also published as Sex and
Society
in Shakespeare's Age: Simon Forman the Astrologer. New York:
Scribner, 1974.
---. What Shakespeare Read--and Thought. New York:
Coward,
McCann
& Geoghegan, 1981.
Ruffatti, Alessio. "Italian Musicians at the Tudor Court--Were
They
Really Jews?" Jewish Historical Studies 35 (1996-1998):
1-14.
Sanford, Rhonda Lemke. "Dwelling in Possibility: Aemilia Lanyer
and
Female Recovery of Paradise" and "Textual History of Salve Deus Rex
Judaeorum." A Sense of Place: Maps and Their Representations
in English Renaissance
Literature. Diss. U of Colorado at Boulder, 1998. Ann Arbor: UMI,
1994. 9919684.
146-83.
Schleiner, Louise. "Discourse Analysis and Literary Study:
Aemilia
Lanyer's
"Epistle" as Sample Text." Mosaic 30 (1997): 15-37.
---. Tudor and Stuart Women Writers. Bloomington: Indiana
UP,
1994.
Schnell, Lisa. "Breaking 'the rule of Cortezia': Aemilia
Lanyer's
Dedications to Salve Deus Rex Judaeorum." Journal of
Medieval and Early
Modern Studies 27 (1997): 77-102.
---. "The Fetter'd Muse": Renaissance Women Writers and the
Idea
of a Literary Career.Dissertation. Princeton University.
1990.
---. "'So Great a Diffrence Is There in Degree': Aemilia Lanyer
and
the Aims of Feminist Criticism." Modern Language Quarterly 57
(1996): 23-35.
--- "'So great a diffrence is there in degree': Aemilia Lanyer
and
the Critique of Aristocratic Privilege. In Literate
Experience: The Work of Knowing in Seventeenth-Century English Writing.
Ed Andrew Barnaby and Lisa Schnell. New York: Palgrave;
Houndsmills: Macmillan, 2002. 91-122.
Schoenbaum, Samuel. "Shakespeare, Dr Forman and Dr Rowse." Shakespeare
and Others. London: Scholar P, 1985.
---. Shakespeare's Lives. New ed. Oxford: Clarendon P,
1991.
---. William Shakespeare: A Compact Documentary Life.
1997.
Oxford:
Oxford UP, 1987.
Schoenfeldt, Michael. "The Gender of Religious Devotion: Amelia
Lanyer
and John Donne." Religion and Culture in Renaissance England.
Ed. Claire McEachern and Debora Shuger.Los Angeles: U of California P,
1997. 209-33.
Seelig, Sharon Cadman. "'To All Vertuous Ladies in Generall':
Aemilia
Lanyer's Community of Strong Women." Literary Circles and Cultural
Communities in Renaissance England. Ed. Claude J. Summers and
Ted-Larry Pebworth. Columbia:
U of Missouri P, 2000. 44-58.
Shea, Colleen. "Literary Authority as Cultural Criticism in
Aemilia
Lanyer's The Authors Dreame." English Literary Renaissance
32 (2002):
386-407.
Siegfried, B. R. "An Apology for Knowledge: Gender and the
Hermeneutics
of Incarnation in the Works of Aemilia Lanyer and Sor Juana
Inés
de la Cruz. Early Modern Literary
Studies 6.3 (January 2001): 5.1-47 http://purl.oclc.org/emls/06-3/siegapol.htm.
Smith, Barbara, and Ursula Appelt. Write or Be Written: Early
Modern
Women Poets and Cultural Constraints. Aldershot: Ashgate,
2001.
Silcox, Mary V. "Aemilia Lanyer and Virtue." Teaching Tudor
and
Stuart
Women Writers. Ed. Susanne Woods and Margaret Patterson Hannay.
New York: Modern Language Association, 2000. 295-98.
Sondergard, Sidney L. "'When this sweet of-spring of thy body
dies':
Aemilia Lanyer's Polemical Passion." Sharpening Her Pen:
Strategies
of Rhetorical Violence by Early Modern English Women Writers.
Selinsgrove, PA:
Susquehanna
UP, 2002. 87-99.
Spence, Richard T. Lady Anne Clifford: Countess of Pembroke,
Dorset
and Montgomery (1590-1676). Stroud, Gloucestershire: Sutton,
1997. [very brief mention]
Sterling, Eric. "Women Writers of the English Renaissance: A
Chronology
of Texts and Contexts." "The Muses females are." Ed.
Robert
C. Evans and Anne C. Little. 281-310.
Travitsky, Betty S. "The Possibilities of Prose." Women and
Literature.
Ed. Helen Wilcox. 34-66.
---, and Adele F. Seeff, eds. Attending to Women in Early
Modern
England. Newark: U of Delaware P, 1994.
Trill, Suzanne. "Feminism versus Religion: Towards a Re-Reading
of
Aemilia Lanyer's Salve Deus Rex Judaeorum." Renaissance and Reformation/Renaissance et
Réforme 25 (2001): 67-80.
---. "Reflected Desire: The
Erotics of the Gaze in
Aemilia
Lanyer's Salve Deus RexJudaeorum." Culture at the
Courts of the
Stuart Queens. Ed. Claire McManus. London: Palgrave, 2003. 167-92.
Ulreich, John C., and Kari Boyd McBride. "Answerable Styles:
Biblical
Poetics and Biblical Politics in the Poems of Aemilia Lanyer and John
Milton." Journal of English and Germanic Philology 100
(2001): 333-54.
---, and Kari Boyd McBride. "'Eves Apologie': Agrippa, Lanyer,
and
Milton."'All
in All': Unity, Diversity, and the Miltonic Perspective.
Ed. Charles W. Durham and Kristin A. Pruitt. Selinsgrove: Susquahanna
UP, 1999. 100-11.
Walker, Kim. Women Writers of the English Renaissance.
New
York:
Twayne, 1996.
Wall, Wendy. The Imprint of Gender: Authorship and
Publication
in
the English Renaissance. Ithaca: Cornell UP, 1993.
---. "Our Bodies/Our Texts?: Renaissance Women and the Trials of
Authorship." Anxious Power: Reading, Writing and Ambivalence
in
Narrative
by Women. Ed. Carol J. Singley and Susan Elizabeth Sweeney. Albany:
State U of
New York P, 1993. 51-71.
---. The Shapes of Desire: Politics, Publication and
Renaissance
Texts. Dissertation. University of Pennsylvania. 1989.
Wayne, Don E. "'A More Safe Survey': Social-Property Relations,
Hegemony,
and the Rhetoric of Country Life." Soundings of Things Done: Essays
in Early Modern Literature in Honor of S. K. Heninger Jr.
Ed. Peter E. Medine and
Joseph Wittreich. Newark: U of Delaware P, 1997.
Weisner, Merry E. "Women's Defense of Their Public Role." Women
in
the Middle Ages and the Renaissance: Literary and Historical
Perspectives.
Ed. Mary Beth Rose. Syracuse: Syracuse UP, 1986.
White, Micheline.
"A Woman with
St. Peter's Keys?: Aemilia Lanyer's Salve Deus Rex Judaeorum and the
Priestly Gifts of Renaissance Women." Criticism: A Quarterly for
Literature and
the Arts
45 (2003): 323-41. mwhite2@ccs.carleton.ca
Wilcox, Helen. "'Whom the Lord with love affecteth': Gender and
the
Religious Poet, 1590-1633. 'This Double Voice': Gendered Writing in
Early Modern England. Ed. Danielle Clarke and Elizabeth Clarke.
Basingstoke: Macmillan, 2000.
185-207.
---, ed. Women and Literature in Britain 1500-1700.
Cambridge:
Cambridge UP, 1996.
Wood, Michael. Shakespeare.
New York: Basic Books, 2003. [popular account that assumes Lanyer's
identity as the dark lady of the sonnets]
Woods, Susanne. "Aemilia Lanyer." Teaching Tudor and Stuart
Women
Writers. Ed. Susanne Woods and Margaret Patterson Hannay. New York:
Modern
Language Association, 2000. 155-63.
---. "Aemilia Lanyer and Ben Jonson: Patronage, Authority, and
Gender." Ben Jonson Journal 1 (1994): 15-30.
---. Anne Lock and Aemilia Lanyer: A Tradition of Protestant
Women
Speaking." Form
and Reform in Renaissance England: Essays in Honor of
Barbara
Kiefer Lewalski. Newark: Associated UP, 2000. 171-84.
---. "Introduction." The Poems of Aemilia Lanyer: Salve Deus
Rex
Judaeorum. New York: Oxford UP, 1993. xv-xlii.
---. Lanyer: A Renaissance Woman Poet. New York: Oxford
UP,
1999.
---. "Lanyer and Southwell: A Protestant Woman's Re-Vision of St.
Peter." Centered on the Word:
Literature, Scripture, and the Tudor-Stuart Middle
Way. Ed. Daniel W. Doerksen and Christopher Hodgkins. Newark,
DE: U of Delaware P, 2004. 73-86.
---. "Vocation and Authority: Born to Write." Aemilia
Lanyer: Gender,
Genre, andthe Canon. Ed. Marshall Grossman. 83-98.
---. "Women at the Margins in Spenser and Lanyer." Worldmaking
Spenser:
Explorations in the Early Modern Age. Lexington: UP of
Kentucky,
2000. 101-14.
Wright, Louis B. "The Reading of Renaissance Englishwomen." Studies
in Philology 28 (1931): 139-57.
Work Forthcoming, Unpublished Work, and Work in
Progress
Burow-Flak, Elizabeth. University of Texas at Austin. "Lanyer:
Communing
With Patron Saints." Saints, Seventeenth-Century Women Devotional
Writers, and Writing the Textual Body. Dissertation in process.
bflak@mail.utexas.edu
---. "Mystical Economies: Aemilia Lanyer and the Communion of
Female
Patronage."
Paper delivered at Group for Early Modern Cultural Studies
Conference, Dallas Texas, October 1995.
DiPasquale, Theresa M. "'Shee onely': The Priesthood of Woman and
the
Womanhood of the Church in Aemilia Lanyer's Salve Deus Rex
Judaeorum." Saving
Graces: Woman and the Redemption of Man in Seventeenth-Century
Poetry. dipasqtm@whitman.edu
Hoofnagle, Wendy Marie. “The Renaissance Prophetess:
Paradise
According to Aemilia Lanyer.” wendy-hoofnagle@kvcc.edu
Malcolmson, Christina. "Early Modern Women Writers and the Gender
Debate:
Did Aemilia Lanyer Read Christine de Pisan?" cmalcolm@bates.edu
McBride, Kari Boyd, and John C. Ulreich. "Radical Conformity:
Aemilia
Lanyer and the Book of Common Prayer." kari@u.arizona.edujcu@u.arizona.edu
Sanford, Rhonda Lemke. "Private Property and Privation: Aemelia
Lanyer
and Female Recovery of Paradise." Private Matters in Seventeenth
Century
England. Modern Language Association Conference, 2003. San Diego. Rhonda.Sanford@colorado.edu
Cowell, Stephani. The Players:
A Novel of the Young Shakespeare. New York: Norton, 1997.
Cuneo, Anne. Objets de splendeur: Mr. Shakespeare amoureux:
un
récit.
Yvonand: B. Campiche, 1996. Published in German as Dark Lady. Ein
Roman um
Shakespeares Große Liebe. Zürich: Gebundene Ausgabe,
1998.
Lewis, Roy Harley. The Manuscript Murders. London: Robert
Hale,
1981; New York: St. Martin's Press, 1982.
Tiffany, Grace. Will.
New York: Berkley Books, 2004.
This
bibliography has benefited greatly from comparison with Karen
L.
Nelson's annotated bibliography in Aemilia Lanyer:
Gender,
Genre,
and
the Canon, ed. Marshall Grossman.
Thanks also to Charlene Ball for suggesting additions.