* Old quizzes were returned, no new quiz today.
* Hazel Carby “It Just Be’s Dat Way Sometimes”
* Why is it hard to write women’s
history?
* Winners
(men) write history
* Carby goes beyond literature
to find women’s history, looks at black female blues singers
* Can discover the challenges
of urban migration for African Americans
* “male
migration”
* Women
tied to the home and children, men leave for Northern, urban cities
* Themes
of abandonment and broken homes
* Women
who leave are in danger
* Black women face different sexual stereotypes
* Black women portrayed as exotic and erotic
* Black intellectuals from the
North write about Southern black women, continue the stereotypes
* Southern
women struggle to disprove these stereotypes
* Shut down their sexuality, repress desire, become passive
* “racialized gender”
* All women are marked by race or class
* Ma Rainey and Bessie Smith
* Claimed new definition of sexuality
* Not passive, not evil
* Both had lesbian relationships,
blurred boundaries of heterosexuality
* Bessie Smith:
* Died after losing her arm in
a car accident, severe bleeding and shock
* Rumor about being denied care
in a ‘white’ hospital
* may
not be true
* Buried in an unmarked grave
* Grave
found and marked decades later by Janis Joplin
* Fearless woman
* Told
the KKK to leave her alone at a gathering, they did!
* Joke email about the Blues
* jokes about topics of blues,
who can sing them and where they can be sung
* themes of loss, but having power
despite the loss
* not about being on top (driving
nice cars), about oppression
* adults sing the blues, not teens
* white, middle-class people can’t
sing the blues
* form: repeat first line, rhyme
next line
* through the joke we can see
the stereotypes and realities of the blues
* Played Bessie Smith songs in class:
* “Backwater Blues”
* about
a flood
* “Mama’s Got the Blues”
* claiming
her own sexuality
* “gonna
get me a black man”
* listed
all of the places she had a man
* “Any Woman’s Blues”
* asks
for things, then responds “if you don’t I know who will”
* “Mistreatin Daddy”
* sexual
innuendo
* "Empty Bed Blues”
* “Empty Bed Blues 2”
* “Me and My Gin”
* “You Got to Give Me Some”
* expressing
desire
* Billie Holiday:
* sings ‘updated’ blues
* similar
forms in some songs
* repeated
first line
* similar
chords
* themes
of being stronger than anything, having power in the face of problems
* “been
down so long that down don’t worry me”
* “Billie’s Blues”
* form
of song changes (not as much repetition), but ‘bluesy’ content is still
there
* “Solitude”
* classic
song
* not
blues
* “God Bless The Child”
* “Gloomy Sunday’
* blues theme,
sound
* For Tuesday:
* "The Yellow Wallpaper”
* became
powerful during second-wave feminism in the 1970’s
* critique
of women’s lives
* Charlotte Perkins Gilman
* female
economist, rare occupation for a woman even now
* read
biography, why she wrote it, and the actual story
* Guest Speaker: Deborah Anderson
* Female
economist
* Job
talk: Speaking Monday at noon about high school girls that played
sports
* In class we discussed the difficulties encountered
when studying womens' history.
* History and written records
are dominated by white middle-class men.
* Carby goes to literature and the move to urbanization
in her studies.
* We discussed the differences
in womens' experiences in moving and mens'.
* Women were tied to the home,
so they couldn't always go, this created family problems
* Their travelling experiences
were different - more dangerous for women travelling alone
* The
elite separated themselves
* The black slave woman was portrayed as being erotic
and exotic
* Attempt to
deny that Carby "shuts down sex"
* We discussed
"racialized gender" - women were marked by other things, they had to struggle
not to be limited
* We then listened to Bessie Smith and Billie Holiday
and discussed Ma Rainey. Their music reflected the views of women
of their time and especially their
outlook on relationships
and sexuality.